Welcome to Playscripts Online
Close

It's a

Click below to view all our comedy scripts. Click Here

Business!

Funny

It's a

Click below to view all our drama scripts. Click Here

Business!

Serious

It's a

Click below to view all our panto scripts. Click Here

Business!

Silly

All your play scripts, in one place.

Playscripts.online is the new home for the famous comedyplays.co.uk and incorporating, dramaplays.co.uk and pantoplays.co.uk

Welcome to Playscripts.online where you can find all of your script needs in one place: Comedy, Drama, Panto and many others all in one place. So take a look around and see what takes your fancy.

About Us

Our Story

Comedy Plays was started over 15 years ago by frustrated playwright Steve Davies to promote his own work. Simply because, as any amateur playwright will know, getting a play published let alone performed is very difficult.

The website proved very popular (some 4,000 visits per month) and Steve’s plays were starting to get produced.

This prompted enquiries from other writers asking if they could place their work on the site. This Steve did and to this day this service is free.

This we continue to do with this new and exciting website, playscripts.online.

Read More

FAQ’s

How can I preview the scripts?

If you see a script you like, below this you can view a quick sample of the first few pages and If you are still not convinced check to see if there are any reviews.

How much is a script?

Our pricing policy is simple. We like simple. Simple is good. So, if it is a one act play or a full length play our prices are the same.

You have 3 options when purchasing from us. Download, Printed Comb Booklet A5 & A4 & performance license.

READ MORE

How much is a public performance licence?

For a professional public performance license, please contact us and we will get back to you with a quote.

How can I get my script on playscripts.online?

Just send us a copy of your play (preferably in word format) to jude@comedyplays.co.uk. If accepted we will send you a copy of our Writer’s terms and conditions for you to sign.

view more

Breaking News……

One Act - Gay themed Drama - "Lavender Lad" by Bruce Reich. 

Ethan is a middle-aged man struggling with some personal demons when he meets the charming and younger Xander. Ethan instantly falls under the spell of Xander, not knowing that Xander has some truly shocking secrets that will put their meeting in a whole new light.

"The California Men's Cooking Show" A One or Two Act Comedy by Hans Petersen

 

Five men host a California television cooking show. There’s one highly strung French gourmand, a vegetarian, a culinary student and a MacDonald’s fan. What could go wrong? Hilarious send up of California uber-hipness. What men know and don’t know about cooking. And who is the Norwegian billionaire?

One Act Drama - "Square Peg" by Jim Newcomb

This is an autobiographical play about the ways in which my experiences as a toddler, and young person, impacted on my well-being in later life. It’s essentially about the management and conquering of depressive episodes. It is set in the East End of London, my early home, but I’m happy for minor-modifications such that in can be set in any local context. The content is, in many ways, universal.

One Act - Gay themed Drama - "Lavender Lad" by Bruce Reich. 

Ethan is a middle-aged man struggling with some personal demons when he meets the charming and younger Xander. Ethan instantly falls under the spell of Xander, not knowing that Xander has some truly shocking secrets that will put their meeting in a whole new light.

"The California Men's Cooking Show" A One or Two Act Comedy by Hans Petersen

 

Five men host a California television cooking show. There’s one highly strung French gourmand, a vegetarian, a culinary student and a MacDonald’s fan. What could go wrong? Hilarious send up of California uber-hipness. What men know and don’t know about cooking. And who is the Norwegian billionaire?

One Act Drama - "Square Peg" by Jim Newcomb

This is an autobiographical play about the ways in which my experiences as a toddler, and young person, impacted on my well-being in later life. It’s essentially about the management and conquering of depressive episodes. It is set in the East End of London, my early home, but I’m happy for minor-modifications such that in can be set in any local context. The content is, in many ways, universal.